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  • Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney
  • Recent submissions
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  • Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney
  • Recent submissions
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Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney: Recent submissions

    • Ear in the cloud: acoustical accidents and clouded texts in Stelarc's internet ear. 

      Søndergaard, Morten
      Published 2013-01-01
      November 10, 2010, Utzon Centre, Aalborg, Denmark: Stelarc's Internet Ear, suddenly and unwittingly, is able to 'hear' and 'broadcast' what was said at a meeting held by the Danish Ethical Council in another part of the ...
      Open Access
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    • Electronic music is here to stay – or is it? 

      Travers, Meg; Hope, Cat
      Published 2013-01-01
      Musical composers frequently make use of new technologies in instrumentation. Whilst orchestral traditions remain strong and the instruments viable, what of the works of composers of electronic music where the sound sources ...
      Open Access
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    • Community mapping: from representation to action. 

      Collins, Dan
      Published 2013-01-01
      Community mapping is an approach to spatial representation that promotes a sense of agency and active engagement by encouraging “bottom-up” participation by users and community groups. Reviewing the place-based work of an ...
      Open Access
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    • Innovative forms of healing: new media art as a catalyst for lasting change in therapeutic settings 

      Heiss, Leah
      Published 2013-01-01
      Through this paper I suggest that new media art has the potential to become a catalyst for real and lasting change in therapeutic environments. New media art practice is intrinsically focused on human experience and user ...
      Open Access
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    • Dance and virtual physics: the mass of the object does not necessarily equal the object of the mass. 

      Vincs, Kim
      Published 2013-01-01
      Motion capture and 3D animation enable the creation of dance in which relationships between mass, weight and morphology are not restricted to the parameters of real-world physics. This paper will draw on a range of motion ...
      Open Access
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