Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney
Edited by Kathy Cleland, Laura Fisher and Ross Harley
Published by ISEA International, the Australian Network for Art & Technology and the University of Sydney
The Conference of the 19th International Symposium on Electronic Art, ISEA2013, was held at the University of Sydney from 11-13 June, 2013. Presented by the Australian Network for Art and Technology (ANAT) and held alongside Vivid Sydney, the Symposium showcased a selection of electronic and media artworks from around the world and staged a suite of events across Sydney that provided a platform for the lively exchange of future-focused ideas. Speakers at the conference were invited to respond to several topics linked to ISEA2013's theme Resistance is Futile. Following the conference, participants were invited to develop their presentation into a scholarly paper for publication in the proceedings.
The papers collected here were peer reviewed to HERDC standards (two reviewers per paper) by colleagues from around the world. The review process for the proceedings was separate from the review process for acceptance of abstracts. Kathy Cleland, Laura Fisher and Ross Harley then edited and compiled the final versions, and would like to thank all the authors and peer reviewers for their contributions.
To see a titles list click here
Please reference as: [Author(s)-of-paper] (2013) [Title-of-paper] in Cleland, K., Fisher, L. & Harley, R. (Eds.) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. http://ses.library.usyd.edu.au/handle/2123/9475
Page numbering begins at 1 at the start of the paper.
The University of Sydney claims shared copyright with the paper authors, ISEA International and ANAT of all information stored on this site, unless expressly stated otherwise.
|2013||Cybernetics in Society and Art||Jones, Stephen|
|2013||GestureCloud: gesture, surplus value and collaborative art exchange.||Doyle, Judith; Jun, Fei|
|2013||CRUMB doctoral research: reflections on creating and exhibiting digital art.||Bradbury, Victoria; Ghidini, Marialaura; Hunter, Roddy; O'Hara, Suzy; Smith, Dominic|
|2013||Humpy: An early Australian Architectural Projection||Gillespie, Alexandra|
|2013||Repeating the past: lessons for visualisation from the history of computer art.||Schofield, Tom|
|2013||Traces – 'reading' the environment.||Bongers, Bert|
|2013||Global mind field - a cybernetic perspective||Casey, Karen; Smith, Damian|
|2013||Exquisite, apart: remoteness and/as resistance.||Walker, Charles; Tiatia, Angela; Antonczak, Laurent; Eimke, Andrea; Watkins, Clinton|
|2013||Shaping Cultural and Creative Space: Beijing as a case study||Yingying, Xiao; Duo, Jiang; Yang, Lei; McArthur, Ian; Miller, Brad|
|2013||Hyperobject: homeland||Dawson, Paula|
|2013||Electronic music is here to stay – or is it?||Travers, Meg; Hope, Cat|
|2013||From interactivity to playability||Leino, Olli Tapio|
|2013||Expanded urban media: from discretized social collages to corrugated social brain||Lei, Yang; McArthur, Ian; Miller, Brad|
|2013||Narratives of locative technologies as memory assemblages.||Oliveira, Andreia Machado; Rebolledo, Felix; Hildebrand, Hermes Renato; Foglia, Efrain|
|2013||Ear in the cloud: acoustical accidents and clouded texts in Stelarc's internet ear.||Søndergaard, Morten|
|2013||The digital dreamhacker: crowdsourcing the dream imaginary.||Antonopoulou, Alexandra; Dare, Eleanor|
|2013||Dance and virtual physics: the mass of the object does not necessarily equal the object of the mass.||Vincs, Kim|
|2013||Siteworks: ecologies and technologies||Ely, Deborah; Warner, Gary; Dement, Linda; Heyler, Nigel; Backen, Robyn; Paine, Garth; Newcombe, Jodi; Starrs, Josephine; Cmielewski, Leon|
|2013||Stereoscopic theatre: the impact of gestalt perceptual organization in the stereoscopic theatre environment||Beckwith, Megan; Vincs, Kim|