Research Publications and Outputs
Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney
Edited by Kathy Cleland, Laura Fisher and Ross Harley
Published by ISEA International, the Australian Network for Art & Technology and the University of Sydney
The Conference of the 19th International Symposium on Electronic Art, ISEA2013, was held at the University of Sydney from 11-13 June, 2013. Presented by the Australian Network for Art and Technology (ANAT) and held alongside Vivid Sydney, the Symposium showcased a selection of electronic and media artworks from around the world and staged a suite of events across Sydney that provided a platform for the lively exchange of future-focused ideas. Speakers at the conference were invited to respond to several topics linked to ISEA2013's theme Resistance is Futile. Following the conference, participants were invited to develop their presentation into a scholarly paper for publication in the proceedings.
The papers collected here were peer reviewed to HERDC standards (two reviewers per paper) by colleagues from around the world. The review process for the proceedings was separate from the review process for acceptance of abstracts. Kathy Cleland, Laura Fisher and Ross Harley then edited and compiled the final versions, and would like to thank all the authors and peer reviewers for their contributions.
To see a titles list click here
Please reference as: [Author(s)-of-paper] (2013) [Title-of-paper] in Cleland, K., Fisher, L. & Harley, R. (Eds.) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. http://ses.library.usyd.edu.au/handle/2123/9475
Page numbering begins at 1 at the start of the paper.
Published 2013-01-01This paper argues that cybernetics is a description of systems in conversation: that is, it is about systems “talking” to each other, engaging in processes through which information is communicated or exchanged between ...Conference paper
Unhomely Published 2013-01-01As winter’s dusk encroaches on The Rocks, under the shadowy reach of the Sydney Harbour Bridge, anonymous and unnoticed by the lively crowds, the shutters open, and the blank upper windows flash alive in vacant Reynold’s ...Conference paper
Published 2013-01-01This paper looks particularly at informal and implicit sources of information in our environment, how we can read this kind of information, and how the information has come about. The paper focuses on implicit information ...Conference paper
Published 2013-01-01The development of critical discourse and experimental practices in computer art of the 1960s and 1970s was informed by new forms of collaboration between artists, scientists and institutions. This paper acknowledges the ...Conference paper
Published 2013-01-01In Australia’s Bicentennial year 1988, which marked 200 years of European colonisation, an important artistic collaboration occurred between Ian de Gruchy and Krzysztof Wodiczko. Their site specific installation Humpy ...Conference paper