Hyperobject: homeland
Access status:
Open Access
Author/s
Dawson, PaulaAbstract
This paper describes the conceptual underpinning, theoretical context and workflow of a haptic drawing hologram project, Hyperobject: Homeland which proposes that one’s homeland is emergent as life experience. The social context of this project is the current extensive use of ...
See moreThis paper describes the conceptual underpinning, theoretical context and workflow of a haptic drawing hologram project, Hyperobject: Homeland which proposes that one’s homeland is emergent as life experience. The social context of this project is the current extensive use of holographic maps in tactical battle visualisation by the military. The Hyperobject: Homeland project proposes a shift in our perception of what a homeland might be in the age of the hyperobject. By inviting viewers to take up the same military point of view above a hologram it allows contemplation of a visualisation of homeland as a type of ‘common’.
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See moreThis paper describes the conceptual underpinning, theoretical context and workflow of a haptic drawing hologram project, Hyperobject: Homeland which proposes that one’s homeland is emergent as life experience. The social context of this project is the current extensive use of holographic maps in tactical battle visualisation by the military. The Hyperobject: Homeland project proposes a shift in our perception of what a homeland might be in the age of the hyperobject. By inviting viewers to take up the same military point of view above a hologram it allows contemplation of a visualisation of homeland as a type of ‘common’.
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Date
2013-01-01Publisher
ISEA InternationalAustralian Network for Art & Technology
University of Sydney
Citation
Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.Share