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  • Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney
  • Recent submissions
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  • Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney
  • Recent submissions
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Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney: Recent submissions

    • Baby x: digital artificial intelligence, computational neuroscience and empathetic interaction. 

      Lawler-Dormer, Deborah
      Published 2013-01-01
      As a new media curator, I work with artistic practices that engage multi-sensory media environments. Baby X is a digital artificial intelligence mixed reality installation created by Dr Mark Sagar. It is concurrently a ...
      Open Access
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    • Manipulating Space, Changing Realities: space as primary carrier of meaning in sonic arts 

      Ekeberg, Frank
      Published 2013-01-01
      Space is an essential element of human experience. In our daily lives we move about in a multi-dimensional sound field, constantly processing spatial cues in our encounters with our surroundings. Awareness of space as a ...
      Open Access
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    • Stereoscopic theatre: the impact of gestalt perceptual organization in the stereoscopic theatre environment 

      Beckwith, Megan; Vincs, Kim
      Published 2013-01-01
      This paper argues that it is essential for live theatre that incorporates stereoscopic imagery to reconceptualise the performance space to facilitate a successful audience experience. While 3D technology greatly increases ...
      Open Access
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    • Shaping Cultural and Creative Space: Beijing as a case study 

      Yingying, Xiao; Duo, Jiang; Yang, Lei; McArthur, Ian; Miller, Brad
      Published 2013-01-01
      Supported by research and policy reform, China’s creative and cultural industries have seen explosive growth in recent years and this rapid expansion is anticipated to have an unprecedented and far-reaching influence on ...
      Open Access
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    • The tacet mark as blackness. 

      Collier, Delinda
      Published 2013-01-01
      James Webb’s 2012 performance The World Will Listen gestures towards a blackness of ‘zero of flow,’ updating the historical avant garde’s ‘zero of form,’ both in terms of the electronic media used and the history of ...
      Open Access
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