|Title:||Electronic music is here to stay – or is it?|
Australian Network for Art & Technology
University of Sydney
|Citation:||Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.|
|Abstract:||Musical composers frequently make use of new technologies in instrumentation. Whilst orchestral traditions remain strong and the instruments viable, what of the works of composers of electronic music where the sound sources have fallen into disrepair, obsolescence, or modern technology has changed the sound so that it bears no relation to the original? Beyond collections of manuscripts and recordings, the practicalities of the re-performance of electronic music compositions have not been widely discussed, and no methodology for archiving the artefacts for re-performability exists. In time, as greater importance is placed on these works, the issue will become more difficult to retrospectively resolve.|
|Appears in Collections:||Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney|
|electronicmusichere.pdf||152.69 kB||Adobe PDF|
Items in Sydney eScholarship Repository are protected by copyright, with all rights reserved, unless otherwise indicated.