• Traces – 'reading' the environment. 

      Bongers, Bert
      Published 2013-01-01
      This paper looks particularly at informal and implicit sources of information in our environment, how we can read this kind of information, and how the information has come about. The paper focuses on implicit information ...
      Open Access
      Conference paper
    • Repeating the past: lessons for visualisation from the history of computer art. 

      Schofield, Tom
      Published 2013-01-01
      The development of critical discourse and experimental practices in computer art of the 1960s and 1970s was informed by new forms of collaboration between artists, scientists and institutions. This paper acknowledges the ...
      Open Access
      Conference paper
    • Exquisite, apart: remoteness and/as resistance. 

      Walker, Charles; Tiatia, Angela; Antonczak, Laurent; Eimke, Andrea; Watkins, Clinton
      Published 2013-01-01
      It has become routine to characterise digital art as indicative of an assumed universal shift from ‘traditional’ practic-es towards novel forms of cultural pro-duction, interaction and consumption. Frequently, running ...
      Open Access
    • Between one and zero: noise, ghosts and plasticity. 

      Grant, Jane
      Published 2013-01-01
      This paper addresses two sonic artworks, Ghost (2011) and Plasticity (2012) that use models of spiking neurons to materialize endogenous and exogenous composition in relation to noise and sonic memory. In the formation of ...
      Open Access
    • The digital dreamhacker: crowdsourcing the dream imaginary. 

      Antonopoulou, Alexandra; Dare, Eleanor
      Published 2013-01-01
      The digital Dreamhacker is an application that collects dream themes reported by individual dreamers and turns them into crowdsourced imagery. These dream visualisations are then uploaded onto the Social Web, allowing for ...
      Open Access