The tacet mark as blackness.

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Open Access

Field	Value	Language
dc.contributor.author	Collier, Delinda
dc.date.accessioned	2013-12-02
dc.date.available	2013-12-02
dc.date.issued	2013-01-01
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9741
dc.description.abstract	James Webb’s 2012 performance The World Will Listen gestures towards a blackness of ‘zero of flow,’ updating the historical avant garde’s ‘zero of form,’ both in terms of the electronic media used and the history of communities that have been historically figured as unformed and unmediated.	en
dc.publisher	ISEA International	en
dc.subject	4'33	en
dc.subject	James Webb	en
dc.subject	John Cagew	en
dc.subject	South Africa	en
dc.subject	African art	en
dc.subject	Electronic art	en
dc.subject	Eskom	en
dc.title	The tacet mark as blackness.	en
dc.type	Article	en
usyd.faculty	University hosted conferences