Show simple item record

FieldValueLanguage
dc.contributor.authorCollier, Delinda
dc.date.accessioned2013-12-02
dc.date.available2013-12-02
dc.date.issued2013-01-01
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9741
dc.description.abstractJames Webb’s 2012 performance The World Will Listen gestures towards a blackness of ‘zero of flow,’ updating the historical avant garde’s ‘zero of form,’ both in terms of the electronic media used and the history of communities that have been historically figured as unformed and unmediated.en_AU
dc.publisherISEA Internationalen_AU
dc.subject4'33en_AU
dc.subjectJames Webben_AU
dc.subjectJohn Cagewen_AU
dc.subjectSouth Africaen_AU
dc.subjectAfrican arten_AU
dc.subjectElectronic arten_AU
dc.subjectEskomen_AU
dc.titleThe tacet mark as blackness.en_AU


Show simple item record

Associated file/s

Associated collections

Show simple item record

There are no previous versions of the item available.