|Title:||The tacet mark as blackness.|
|Citation:||Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.|
|Abstract:||James Webb’s 2012 performance The World Will Listen gestures towards a blackness of ‘zero of flow,’ updating the historical avant garde’s ‘zero of form,’ both in terms of the electronic media used and the history of communities that have been historically figured as unformed and unmediated.|
|Appears in Collections:||Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney|
|tacetmarkblackness.pdf||362.94 kB||Adobe PDF|
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