The connective tissue of physical computing.

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Open Access

Field	Value	Language
dc.contributor.author	Diekman, Kristine	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9709
dc.description.abstract	This paper investigates the role of performativity, intersubjectivity and empathy in relational, participatory or computational art. Through the creation of sensorial, kinesthetic and immersive interfaces for the public to "perform" the work, participants can expand their somatic experiences to include looking, moving, touching, listening and other forms of sensing. They can enter into a sensuous continuum with the artwork, oscillating between the representation of another's experience and reflection on their own, so as to reconstitute new subjectivities.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Interactive	en
dc.subject	Empathy	en
dc.subject	Performance	en
dc.subject	Somatic	en
dc.subject	Touch	en
dc.subject	Intersubjectivity	en
dc.subject	Physical Computing	en
dc.subject	Sensorial	en
dc.subject	Trauma	en
dc.subject	Relational	en
dc.title	The connective tissue of physical computing.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences