Cinematic experiences and the digital moving image.

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Open Access

Field	Value	Language
dc.contributor.author	Rivera Berrio, Ricardo	en_AU
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en_AU
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en_AU
dc.identifier.uri	http://hdl.handle.net/2123/9690
dc.description.abstract	If the introduction of the digital into moving image production does not alter the cinematographic device, nor change any of the essential features of the cinema, then the production of digital moving images will not affect the essence of cinema. If any of the essential features of cinema are, in fact, superseded by the digital features of the moving image, they should be named as cinematic experiences, which are defined as moving image production, digitally mediated, that looks for its essence in the consciousness of movement and visual rhythms.	en_AU
dc.publisher	ISEA International	en_AU
dc.publisher	Australian Network for Art & Technology	en_AU
dc.publisher	University of Sydney	en_AU
dc.subject	Cinematic	en_AU
dc.subject	Experience	en_AU
dc.subject	Cinema	en_AU
dc.subject	Digital	en_AU
dc.subject	Moving Image	en_AU
dc.subject	Production	en_AU
dc.subject	Interaction	en_AU
dc.subject	Spectator	en_AU
dc.subject	Actor	en_AU
dc.title	Cinematic experiences and the digital moving image.	en_AU
dc.type	Conference paper	en_AU