Cinematic experiences and the digital moving image.

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Open Access

Field	Value	Language
dc.contributor.author	Rivera Berrio, Ricardo	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9690
dc.description.abstract	If the introduction of the digital into moving image production does not alter the cinematographic device, nor change any of the essential features of the cinema, then the production of digital moving images will not affect the essence of cinema. If any of the essential features of cinema are, in fact, superseded by the digital features of the moving image, they should be named as cinematic experiences, which are defined as moving image production, digitally mediated, that looks for its essence in the consciousness of movement and visual rhythms.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Cinematic	en
dc.subject	Experience	en
dc.subject	Cinema	en
dc.subject	Digital	en
dc.subject	Moving Image	en
dc.subject	Production	en
dc.subject	Interaction	en
dc.subject	Spectator	en
dc.subject	Actor	en
dc.title	Cinematic experiences and the digital moving image.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences