Cinematic experiences and the digital moving image.
Access status:
Open Access
Type
Conference paperAuthor/s
Rivera Berrio, RicardoAbstract
If the introduction of the digital into moving image production does not alter the cinematographic device, nor change any of the essential features of the cinema, then the production of digital moving images will not affect the essence of cinema. If any of the essential features of cinema are, in fact, superseded by the digital features of the moving image, they should be named as cinematic experiences, which are defined as moving image production, digitally mediated, that looks for its essence in the consciousness of movement and visual rhythms.If the introduction of the digital into moving image production does not alter the cinematographic device, nor change any of the essential features of the cinema, then the production of digital moving images will not affect the essence of cinema. If any of the essential features of cinema are, in fact, superseded by the digital features of the moving image, they should be named as cinematic experiences, which are defined as moving image production, digitally mediated, that looks for its essence in the consciousness of movement and visual rhythms.
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Date
2013-01-01Publisher
ISEA InternationalAustralian Network for Art & Technology
University of Sydney
Citation
Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.Share