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dc.contributor.authorLudovico, Alessandroen
dc.contributor.authorCirio, Paoloen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9673
dc.description.abstractThe three artworks of the Hacking Monopolism Trilogy are Face to Facebook, Amazon Noir and GWEI-Google Will Eat Itself. These works have much in common in terms of both methodologies and strategies. They all use custom programmed software to exploit three of the biggest online corporations, deploying conceptual hacks that generate unexpected holes in their well-oiled marketing and economic system. All three projects were 'Media Hack Performances' that exploited security vulnerabilities of the internet giants' platforms to raise media attention about their abuse of power. These performances were staged through the global mass media for millions of spectators worldwide. The processes of the projects are always illustrated diagrams that show the main directions and processes under which the software has been developed to execute the performances. Finally, all the installations we exhibited did not use computers or networks, focusing more on the display of the processes than on the technologies.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectFace to Facebooken
dc.subjectAmazon Noiren
dc.subjectGoogle Will Eat Itselfen
dc.subjectHackingen
dc.subjectRevelatory Diagramsen
dc.subjectBig Online Corporationsen
dc.titleThe hacking monopolism trilogy.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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