The future of the moving image

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Open Access

Field	Value	Language
dc.contributor.author	Flaxton, Terry	en_AU
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en_AU
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en_AU
dc.identifier.uri	http://hdl.handle.net/2123/9655
dc.description.abstract	Whilst at the Universities of Bristol and the West of England, in collaboration with BBC R&D, I have been responsible for the production of the first higher dynamic range, higher resolution and higher frame rate experiments to measure which combination of these developing parameters of image capture and display best engages the audience. What is essentially happening here is the mapping of the capabilities of imagining equipment to the sensory levels of the eye/brain pathway. But what do the expanding parameters of the digitally captured moving image mean to the viewer and how will this affect future patterns of production, consumption and understanding of moving images?	en_AU
dc.publisher	ISEA International	en_AU
dc.publisher	Australian Network for Art & Technology	en_AU
dc.publisher	University of Sydney	en_AU
dc.subject	Resolution	en_AU
dc.subject	Frame Rate	en_AU
dc.subject	Dynamic Range	en_AU
dc.subject	Electronic Digital Cinematography	en_AU
dc.title	The future of the moving image	en_AU
dc.type	Conference paper	en_AU