The future of the moving image
Access status:
Open Access
Type
Conference paperAuthor/s
Flaxton, TerryAbstract
Whilst at the Universities of Bristol and the West of England, in collaboration with BBC R&D, I have been responsible for the production of the first higher dynamic range, higher resolution and higher frame rate experiments to measure which combination of these developing parameters ...
See moreWhilst at the Universities of Bristol and the West of England, in collaboration with BBC R&D, I have been responsible for the production of the first higher dynamic range, higher resolution and higher frame rate experiments to measure which combination of these developing parameters of image capture and display best engages the audience. What is essentially happening here is the mapping of the capabilities of imagining equipment to the sensory levels of the eye/brain pathway. But what do the expanding parameters of the digitally captured moving image mean to the viewer and how will this affect future patterns of production, consumption and understanding of moving images?
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See moreWhilst at the Universities of Bristol and the West of England, in collaboration with BBC R&D, I have been responsible for the production of the first higher dynamic range, higher resolution and higher frame rate experiments to measure which combination of these developing parameters of image capture and display best engages the audience. What is essentially happening here is the mapping of the capabilities of imagining equipment to the sensory levels of the eye/brain pathway. But what do the expanding parameters of the digitally captured moving image mean to the viewer and how will this affect future patterns of production, consumption and understanding of moving images?
See less
Date
2013-01-01Publisher
ISEA InternationalAustralian Network for Art & Technology
University of Sydney
Citation
Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.Share