Reduction and the tachistoscopic falsh - a marginalised technology.
Access status:
Open Access
Type
Conference paperAuthor/s
Corompt, MartineAbstract
The subliminal flash has had a long and colourful history in perceptual psychology, from its origins in WWII military and law enforcement training, through use as a tool for market research and by structuralist filmmakers of the 1960s, to more dubious associations with mind control. ...
See moreThe subliminal flash has had a long and colourful history in perceptual psychology, from its origins in WWII military and law enforcement training, through use as a tool for market research and by structuralist filmmakers of the 1960s, to more dubious associations with mind control. In more recent times the subliminal flash has been used in television advertising as a gimmick rather than a surreptitious form of brainwashing - though the practice is still officially banned in Australia. This paper explores the history of the tachistocopic flash as a methodology both cultural and technological, and more recently as an outlawed practice in commercial screen culture.
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See moreThe subliminal flash has had a long and colourful history in perceptual psychology, from its origins in WWII military and law enforcement training, through use as a tool for market research and by structuralist filmmakers of the 1960s, to more dubious associations with mind control. In more recent times the subliminal flash has been used in television advertising as a gimmick rather than a surreptitious form of brainwashing - though the practice is still officially banned in Australia. This paper explores the history of the tachistocopic flash as a methodology both cultural and technological, and more recently as an outlawed practice in commercial screen culture.
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Date
2013-01-01Publisher
ISEA InternationalAustralian Network for Art & Technology
University of Sydney
Faculty/School
University hosted conferencesCitation
Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.Share