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dc.contributor.authorRichards, Kate
dc.date.accessioned2013-12-17
dc.date.available2013-12-17
dc.date.issued2013-01-01
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9862
dc.description.abstractAs winter’s dusk encroaches on The Rocks, under the shadowy reach of the Sydney Harbour Bridge, anonymous and unnoticed by the lively crowds, the shutters open, and the blank upper windows flash alive in vacant Reynold’s Cottage. Through the unraveling night the cottage innards twist and flutter, spit and ooze with glimpses of disarray, despair and turmoil, the windows spirit-lenses on the turbulent world of mid-twentieth century Sydney.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technology
dc.publisherUniversity of Sydney
dc.subjectUncannyen
dc.subjectElectronic art installationen
dc.subjectaffecten
dc.subjectdatabase aestheticsen
dc.titleUnhomelyen
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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