Unhomely
Field | Value | Language |
dc.contributor.author | Richards, Kate | |
dc.date.accessioned | 2013-12-17 | |
dc.date.available | 2013-12-17 | |
dc.date.issued | 2013-01-01 | |
dc.identifier.citation | Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. | en_AU |
dc.identifier.uri | http://hdl.handle.net/2123/9862 | |
dc.description.abstract | As winter’s dusk encroaches on The Rocks, under the shadowy reach of the Sydney Harbour Bridge, anonymous and unnoticed by the lively crowds, the shutters open, and the blank upper windows flash alive in vacant Reynold’s Cottage. Through the unraveling night the cottage innards twist and flutter, spit and ooze with glimpses of disarray, despair and turmoil, the windows spirit-lenses on the turbulent world of mid-twentieth century Sydney. | en_AU |
dc.publisher | ISEA International | en_AU |
dc.publisher | Australian Network for Art & Technology | |
dc.publisher | University of Sydney | |
dc.subject | Uncanny | en_AU |
dc.subject | Electronic art installation | en_AU |
dc.subject | affect | en_AU |
dc.subject | database aesthetics | en_AU |
dc.title | Unhomely | en_AU |
dc.type | Conference paper | en_AU |
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