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dc.contributor.authorRichards, Kate
dc.date.accessioned2013-12-17
dc.date.available2013-12-17
dc.date.issued2013-01-01
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9862
dc.description.abstractAs winter’s dusk encroaches on The Rocks, under the shadowy reach of the Sydney Harbour Bridge, anonymous and unnoticed by the lively crowds, the shutters open, and the blank upper windows flash alive in vacant Reynold’s Cottage. Through the unraveling night the cottage innards twist and flutter, spit and ooze with glimpses of disarray, despair and turmoil, the windows spirit-lenses on the turbulent world of mid-twentieth century Sydney.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technology
dc.publisherUniversity of Sydney
dc.subjectUncannyen_AU
dc.subjectElectronic art installationen_AU
dc.subjectaffecten_AU
dc.subjectdatabase aestheticsen_AU
dc.titleUnhomelyen_AU
dc.typeConference paperen_AU


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