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dc.contributor.authorGillespie, Alexandra
dc.date.accessioned2013-12-13
dc.date.available2013-12-13
dc.date.issued2013-01-01
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9817
dc.description.abstractIn Australia’s Bicentennial year 1988, which marked 200 years of European colonisation, an important artistic collaboration occurred between Ian de Gruchy and Krzysztof Wodiczko. Their site specific installation Humpy commented on the ongoing politics of Indigenous dispossession and loss of place. They are artists who helped to develop the practice of projecting large-scale images onto architecture. While the work was critically ignored at the time, it has become increasingly relevant as historians, architects and artists research and reference Indigenous architectural forms. The ongoing currency of the artist’s political commentary on Indigenous loss of place is another important element of the work’s continuing resonance.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technology
dc.publisherUniversity of Sydney
dc.subjectAustralian Indigenous Architectureen_AU
dc.subjectArchitectural projectionen_AU
dc.subjectAustralian media arten_AU
dc.subjectplaceen_AU
dc.subjectIan de Gruchyen_AU
dc.subjectKrzysztof Wodiczkoen_AU
dc.subjectcolonisationen_AU
dc.subjectmedia art historyen_AU
dc.titleHumpy: An early Australian Architectural Projectionen_AU
dc.typeConference paperen_AU


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