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dc.contributor.authorBongers, Bert
dc.date.accessioned2013-12-13
dc.date.available2013-12-13
dc.date.issued2013-01-01
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9815
dc.description.abstractThis paper looks particularly at informal and implicit sources of information in our environment, how we can read this kind of information, and how the information has come about. The paper focuses on implicit information and ‘reading the environment’, with examples from practice, and presents an art project that investigates this notion through an interactive video installation. This installation, called ‘Traces’, presented interactive videos and photographs of two types of human-made traces, revealing past behaviours and/or intentions. It took, for instance, the skidmarks of cars on roads as input for a process of video manipulation and a recorded sonification.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technology
dc.publisherUniversity of Sydney
dc.subjectTracesen_AU
dc.subjectImpliciten_AU
dc.subjectPeripheralen_AU
dc.subjectMultimodalen_AU
dc.subjectInteractionen_AU
dc.subjectEnvironmenten_AU
dc.titleTraces – 'reading' the environment.en_AU
dc.typeConference paperen_AU


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