Ear in the cloud: acoustical accidents and clouded texts in Stelarc's internet ear.
Field | Value | Language |
dc.contributor.author | Søndergaard, Morten | |
dc.date.accessioned | 2013-12-02 | |
dc.date.available | 2013-12-02 | |
dc.date.issued | 2013-01-01 | |
dc.identifier.citation | Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. | en_AU |
dc.identifier.uri | http://hdl.handle.net/2123/9750 | |
dc.description.abstract | November 10, 2010, Utzon Centre, Aalborg, Denmark: Stelarc's Internet Ear, suddenly and unwittingly, is able to 'hear' and 'broadcast' what was said at a meeting held by the Danish Ethical Council in another part of the building. The transmission is fed back to the ear as 'speech-noise' – and broadcasted once again, creating a feedback loop of fragmented announcements from a debate on ethics. In this paper, I will take a closer look at how this acoustical accident created a situation where two different and, in some cases, opposing cultural patterns were reloaded / remixed into each other. By analysing this situation using the notions of ‘ontological theatre’ and ‘agency realism’ (Andrew Pickering), I am claiming that a collision of realities occurred which, in turn, addresses the issue of dislocated cultural identity in post-digital ‘cloud culture’. | en_AU |
dc.publisher | ISEA International | en_AU |
dc.publisher | Australian Network for Art & Technology | |
dc.publisher | University of Sydney | |
dc.subject | Art | en_AU |
dc.subject | Technology | en_AU |
dc.subject | Collaborative | en_AU |
dc.subject | Practice | en_AU |
dc.subject | Action | en_AU |
dc.subject | Situations | en_AU |
dc.subject | Communication | en_AU |
dc.subject | Theory | en_AU |
dc.title | Ear in the cloud: acoustical accidents and clouded texts in Stelarc's internet ear. | en_AU |
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