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dc.contributor.authorEkeberg, Frank
dc.date.accessioned2013-12-02
dc.date.available2013-12-02
dc.date.issued2013-01-01
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9736
dc.description.abstractSpace is an essential element of human experience. In our daily lives we move about in a multi-dimensional sound field, constantly processing spatial cues in our encounters with our surroundings. Awareness of space as a fundamental compo-nent of sound is nevertheless limited among artists and listeners. This paper presents a framework for recognizing, analyzing and working with sonic space, based on identifying and categorizing spatial components from the level of the individual sound, via the combination of sounds in virtual spaces, to the experience of the fusion of composed space and the listening environment.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technology
dc.publisherUniversity of Sydney
dc.subjectspaceen_AU
dc.subjectsounden_AU
dc.subjectacousmaticen_AU
dc.subjectsonic arten_AU
dc.subjectaesthetic experienceen_AU
dc.subjectspatio-structural theoryen_AU
dc.titleManipulating Space, Changing Realities: space as primary carrier of meaning in sonic artsen_AU


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