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dc.contributor.authorEkeberg, Frank
dc.date.accessioned2013-12-02
dc.date.available2013-12-02
dc.date.issued2013-01-01
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9736
dc.description.abstractSpace is an essential element of human experience. In our daily lives we move about in a multi-dimensional sound field, constantly processing spatial cues in our encounters with our surroundings. Awareness of space as a fundamental compo-nent of sound is nevertheless limited among artists and listeners. This paper presents a framework for recognizing, analyzing and working with sonic space, based on identifying and categorizing spatial components from the level of the individual sound, via the combination of sounds in virtual spaces, to the experience of the fusion of composed space and the listening environment.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technology
dc.publisherUniversity of Sydney
dc.subjectspaceen
dc.subjectsounden
dc.subjectacousmaticen
dc.subjectsonic arten
dc.subjectaesthetic experienceen
dc.subjectspatio-structural theoryen
dc.titleManipulating Space, Changing Realities: space as primary carrier of meaning in sonic artsen
dc.typeArticleen
usyd.facultyUniversity hosted conferences


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