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dc.contributor.authorTafler, David I.en_AU
dc.contributor.authorD'Agostino, Peteren_AU
dc.date.accessioned2013-11-22T05:45:29Z
dc.date.available2013-11-22T05:45:29Z
dc.date.issued2013en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9717
dc.description.abstractThe techno / natural interface examines a series of World-Wide-Walks projects from the 1970s to the present. The inquiry extends our work on The Techno / Cultural Interface: tracking the boundaries of high-tech and traditional cultures presented at TISEA, Sydney, 1992, and published in Media Information Australia, August, 1993. Originally inspired by Gregory Bateson's 'dialogues' and 'metalogues', concepts of mind and nature as 'sacred and necessary unities,' the techno / cultural ideas evolve from theories of interfacing, identities, and consciousness to techno / natural concepts examined through the sensuous kinesthetic experience of walking and its mapping.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectTechnoen_AU
dc.subjectNaturalen_AU
dc.subjectWalkingen_AU
dc.subjectMappingen_AU
dc.subjectWorld-Wide-Walksen_AU
dc.subjectEco-Arten_AU
dc.titleTechno / natural interfacing: walking and mapping in the age of climate change.en_AU
dc.typeConference Paperen_AU


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