Techno / natural interfacing: walking and mapping in the age of climate change.

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Open Access

Field	Value	Language
dc.contributor.author	Tafler, David I.	en
dc.contributor.author	D'Agostino, Peter	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9717
dc.description.abstract	The techno / natural interface examines a series of World-Wide-Walks projects from the 1970s to the present. The inquiry extends our work on The Techno / Cultural Interface: tracking the boundaries of high-tech and traditional cultures presented at TISEA, Sydney, 1992, and published in Media Information Australia, August, 1993. Originally inspired by Gregory Bateson's 'dialogues' and 'metalogues', concepts of mind and nature as 'sacred and necessary unities,' the techno / cultural ideas evolve from theories of interfacing, identities, and consciousness to techno / natural concepts examined through the sensuous kinesthetic experience of walking and its mapping.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Techno	en
dc.subject	Natural	en
dc.subject	Walking	en
dc.subject	Mapping	en
dc.subject	World-Wide-Walks	en
dc.subject	Eco-Art	en
dc.title	Techno / natural interfacing: walking and mapping in the age of climate change.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences