Show simple item record

FieldValueLanguage
dc.contributor.authorFrost, Andrewen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9715
dc.description.abstractScience fiction and contemporary art are connected by a set of related conceptual interests and formal expressions. This paper argues that two concepts in the critical study of SF, the novum and cognitive estrangement, are applicable to the practice and interpretation of much contemporary art. Discussing the work of contemporary new media artists whose practice has explicitly dealt with SF themes and tropes in various forms, the paper argues that the use of these two key critical SF concepts help to define a new and under-theorised cultural formation: the science fictional.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectScience Fictionen
dc.subjectMedia Arten
dc.subjectNovumen
dc.subjectEstrangementen
dc.subjectVideoen
dc.subjectInstallationen
dc.subjectCritical Theoryen
dc.titleScience fictional aesthetics: the novum & cognitive estrangement in contemporary art.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


Show simple item record

Associated file/s

Associated collections

Show simple item record

There are no previous versions of the item available.