Static as a trope in electronic art: David Hall's 1001 tv sets (end piece) and other works.

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Open Access

Field	Value	Language
dc.contributor.author	Byrne, Ben	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9713
dc.description.abstract	Static is often used in electronic art to symbolise a metaphysical outside that is only perceivable with technology. A significant recent example is David Hall's 1001 TV Sets (End Piece). In this paper I will explore the static as outside trope using numerous examples, with a focus on Hall's work. I will show that the trope demonstrates how static can be meaningful and so functions as more than merely interference.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Static	en
dc.subject	Sonic	en
dc.subject	Outside	en
dc.subject	Electronic Art	en
dc.subject	Trope	en
dc.subject	David Hall	en
dc.subject	Metaphysical	en
dc.title	Static as a trope in electronic art: David Hall's 1001 tv sets (end piece) and other works.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences