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dc.contributor.authorJefferies, Janisen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9710
dc.description.abstractThe emergence of new, social and creative media practices has added to a disciplinary mash up, drawing participants from, amongst others, computer science, engineering, visual arts, science studies, literature, philosophy, film and media studies. The question of emergent practices is taken up in the work of Andrew Pickering. In The Mangle of Practice: Time, Agency and Science (1995), he writes about temporally emergent forms in experimental science laboratories. He makes a strong case for a re-conceptualization of research practice as a 'mangle,' an open-ended, evolutionary, and performative interplay of human and non-human agency. While Pickering's ideas originated in science and technology studies, the concept of 'mangle' captures what he describes as an entanglement between the human and the material.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectEmergent Practicesen
dc.subjectPickeringen
dc.subjectSocial Sciencesen
dc.subjectMangleen
dc.subjectCapturesen
dc.subjectCreative Practicesen
dc.titleArt, mediation and contemporary art emergent practices.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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