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FieldValueLanguage
dc.contributor.authorHowe, Daniel C.en
dc.contributor.authorCayley, Johnen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9708
dc.description.abstractThe Readers Project is an aesthetically-oriented system of software entities designed to explore the culture of human reading. These entities, or 'readers', enact specific reading strategies and function as autonomous text generators, networked writing machines visible beyond the texts they 'read'. As the structures on which they operate are culturally implicated, the project's readers shed light on a range of institutional practices surrounding the digital literary and the aggregation of the linguistic commons by corporate interests. In this paper, we present the practical and theoretical considerations guiding the project's development, and consider various strategies to resist the commodification and enclosure of literary culture within the corporate 'cloud'.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectLinguistic Commonsen
dc.subjectNetworked Language Systemsen
dc.subjectCritical Algorithmicsen
dc.subjectCopyright and Intellectual Propertyen
dc.subjectNetwork Servicesen
dc.subjectAesthetic Computationen
dc.subjectNatural Language Processingen
dc.subjectConceptual Writingen
dc.subjectConceptual Literatureen
dc.subjectDigital Language Arten
dc.subjectWriting Digital Mediaen
dc.subjectLiterary Visualizationen
dc.subjectComputational Writingen
dc.subject(Human) Readingen
dc.titleReading, writing, resisting: literary appropriation in the readers project.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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