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dc.contributor.authorJoseph, Francesen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9707
dc.description.abstractThe ubiquity of interactive technologies has given rise to new forms and opportunities for interactive digital art. Collaboration has been identified as a way for artists to engage in complex technologically based projects. This paper considers different forms of collaboration in relation to two interactive art projects. Collaborative and participatory art practices operate on multiple registers. The findings of the research discussed in this paper corroborate previous work on co-creativity and interactive art and extend to considerations of institutional collaboration, materiality, prototyping and the advantages of creative collectives.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectInteractive Arten
dc.subjectCollaborationen
dc.subjectScreen-Baseden
dc.subjectE-textilesen
dc.subjectPrototypingen
dc.titleCollaborative registers of interactive art.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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