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dc.contributor.authorJoseph, Francesen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9707
dc.description.abstractThe ubiquity of interactive technologies has given rise to new forms and opportunities for interactive digital art. Collaboration has been identified as a way for artists to engage in complex technologically based projects. This paper considers different forms of collaboration in relation to two interactive art projects. Collaborative and participatory art practices operate on multiple registers. The findings of the research discussed in this paper corroborate previous work on co-creativity and interactive art and extend to considerations of institutional collaboration, materiality, prototyping and the advantages of creative collectives.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectInteractive Arten_AU
dc.subjectCollaborationen_AU
dc.subjectScreen-Baseden_AU
dc.subjectE-textilesen_AU
dc.subjectPrototypingen_AU
dc.titleCollaborative registers of interactive art.en_AU
dc.typeConference paperen_AU


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