Re:cinema.

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Open Access

Field	Value	Language
dc.contributor.author	Dabek, Ryszard	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9704
dc.description.abstract	This paper discusses the conceptual underpinnings of the exhibition project Re:Cinema. Rather than settling around the relatively stable formal and ontological parameters of the historical forms of cinema, the moving image is addressed in terms of its fragmentation, ubiquity and volatility. Through a discussion of key examples, the very embeddedness of historical forms within the contemporary moving image-scape is examined. To this end the idea of the 'cinematic' is evoked not as a totalising system, but rather as a persistent conceptual and visual presence that informs contemporary moving image production and artistic inquiry.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Cinema	en
dc.subject	Contemporary Art	en
dc.subject	Video Art	en
dc.subject	Curating	en
dc.subject	Exhibition	en
dc.subject	Moving Image	en
dc.subject	Digital	en
dc.title	Re:cinema.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences