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dc.contributor.authorNewman, Andrewen_AU
dc.contributor.authorTarasiewicz, Matthiasen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9703
dc.description.abstractIn this paper we use developments in the history of science to demonstrate the significance of experimental cultures and epistemic spaces within artistic research as an experimental system. We propose that 'artistic products' are process artefacts, which are of epistemic nature (epistemic-aesthetic things). We suggest that artistic research provides a unique opportunity to integrate diverse epistemic practices that currently exist outside traditional institutional frameworks to develop new hypotheses-generating experimental cultures.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectArtistic Researchen_AU
dc.subjectExperimental Systemen_AU
dc.subjectExperimental Culturesen_AU
dc.subjectHistory of Scienceen_AU
dc.subjectResearch Culturesen_AU
dc.subjectExperimental Artsen_AU
dc.subjectEpistemologyen_AU
dc.titleExperimental cultures and epistemic spaces in artistic research.en_AU
dc.typeConference paperen_AU


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