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dc.contributor.authorNewman, Andrewen
dc.contributor.authorTarasiewicz, Matthiasen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9703
dc.description.abstractIn this paper we use developments in the history of science to demonstrate the significance of experimental cultures and epistemic spaces within artistic research as an experimental system. We propose that 'artistic products' are process artefacts, which are of epistemic nature (epistemic-aesthetic things). We suggest that artistic research provides a unique opportunity to integrate diverse epistemic practices that currently exist outside traditional institutional frameworks to develop new hypotheses-generating experimental cultures.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectArtistic Researchen
dc.subjectExperimental Systemen
dc.subjectExperimental Culturesen
dc.subjectHistory of Scienceen
dc.subjectResearch Culturesen
dc.subjectExperimental Artsen
dc.subjectEpistemologyen
dc.titleExperimental cultures and epistemic spaces in artistic research.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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