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dc.contributor.authorKocaballi, A. Bakien
dc.contributor.authorGemeinboeck, Petraen
dc.contributor.authorSaunders, Roben
dc.contributor.authorDong, Andyen
dc.contributor.authorLoke, Lianen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9701
dc.description.abstractThe article reports on a participatory workshop in which we were faced with two different types of resistance. We employ the notion of scripts to describe how this resistance emerged. On the one hand, we explain how a weak script caused distrust of the workshop rationale, while on the other, we explain how a strong script rendered the technological materials of the workshop useless and led to termination of the activity. We suggest that structuring workshops according to the notion of scripts may prove a useful way of exercising and learning from resistance and expanding our territory of exploration.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectCodesignen
dc.subjectWorkshopen
dc.subjectScriptsen
dc.subjectConstraintsen
dc.subjectAgencyen
dc.subjectActor-Network Theoryen
dc.titleInterplay of scripts and resistance in a participatory workshop.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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