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dc.contributor.authorKocaballi, A. Bakien_AU
dc.contributor.authorGemeinboeck, Petraen_AU
dc.contributor.authorSaunders, Roben_AU
dc.contributor.authorDong, Andyen_AU
dc.contributor.authorLoke, Lianen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9701
dc.description.abstractThe article reports on a participatory workshop in which we were faced with two different types of resistance. We employ the notion of scripts to describe how this resistance emerged. On the one hand, we explain how a weak script caused distrust of the workshop rationale, while on the other, we explain how a strong script rendered the technological materials of the workshop useless and led to termination of the activity. We suggest that structuring workshops according to the notion of scripts may prove a useful way of exercising and learning from resistance and expanding our territory of exploration.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectCodesignen_AU
dc.subjectWorkshopen_AU
dc.subjectScriptsen_AU
dc.subjectConstraintsen_AU
dc.subjectAgencyen_AU
dc.subjectActor-Network Theoryen_AU
dc.titleInterplay of scripts and resistance in a participatory workshop.en_AU
dc.typeConference paperen_AU


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