Biting machine, a performance art experiment in human-robot interaction.

Access status:

Open Access

Field	Value	Language
dc.contributor.author	Granjon, Paul	en_AU
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en_AU
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en_AU
dc.identifier.uri	http://hdl.handle.net/2123/9698
dc.description.abstract	The author is a performance and visual artist whose interest lies in the co-evolution of humans and machines, a subject he explores with self-made machines. The paper describes the aims, method, and context of Biting Machine, a performance art experiment in human-robot interaction loosely based on Joseph Beuys' I Like America and America Likes Me (1974) where the artist shared a space for several days with a wild coyote. Biting Machine will be delivered as series of durational performances for an autonomous mobile robot and a human, where the robot will take the role occupied by the coyote in Beuys? piece.	en_AU
dc.publisher	ISEA International	en_AU
dc.publisher	Australian Network for Art & Technology	en_AU
dc.publisher	University of Sydney	en_AU
dc.subject	Performance	en_AU
dc.subject	Art	en_AU
dc.subject	Robot	en_AU
dc.subject	Artificial Intelligence	en_AU
dc.subject	Machinic Life	en_AU
dc.subject	Pickering	en_AU
dc.subject	Johnston	en_AU
dc.subject	Beuys	en_AU
dc.title	Biting machine, a performance art experiment in human-robot interaction.	en_AU
dc.type	Conference paper	en_AU