Biting machine, a performance art experiment in human-robot interaction.

Access status:

Open Access

Field	Value	Language
dc.contributor.author	Granjon, Paul	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9698
dc.description.abstract	The author is a performance and visual artist whose interest lies in the co-evolution of humans and machines, a subject he explores with self-made machines. The paper describes the aims, method, and context of Biting Machine, a performance art experiment in human-robot interaction loosely based on Joseph Beuys' I Like America and America Likes Me (1974) where the artist shared a space for several days with a wild coyote. Biting Machine will be delivered as series of durational performances for an autonomous mobile robot and a human, where the robot will take the role occupied by the coyote in Beuys? piece.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Performance	en
dc.subject	Art	en
dc.subject	Robot	en
dc.subject	Artificial Intelligence	en
dc.subject	Machinic Life	en
dc.subject	Pickering	en
dc.subject	Johnston	en
dc.subject	Beuys	en
dc.title	Biting machine, a performance art experiment in human-robot interaction.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences