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dc.contributor.authorGranjon, Paulen_AU
dc.date.accessioned2013-11-22T05:45:27Z
dc.date.available2013-11-22T05:45:27Z
dc.date.issued2013en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9698
dc.description.abstractThe author is a performance and visual artist whose interest lies in the co-evolution of humans and machines, a subject he explores with self-made machines. The paper describes the aims, method, and context of Biting Machine, a performance art experiment in human-robot interaction loosely based on Joseph Beuys' I Like America and America Likes Me (1974) where the artist shared a space for several days with a wild coyote. Biting Machine will be delivered as series of durational performances for an autonomous mobile robot and a human, where the robot will take the role occupied by the coyote in Beuys? piece.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectPerformanceen_AU
dc.subjectArten_AU
dc.subjectRoboten_AU
dc.subjectArtificial Intelligenceen_AU
dc.subjectMachinic Lifeen_AU
dc.subjectPickeringen_AU
dc.subjectJohnstonen_AU
dc.subjectBeuysen_AU
dc.titleBiting machine, a performance art experiment in human-robot interaction.en_AU
dc.typeConference Paperen_AU


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