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dc.contributor.authorDe Bruyn, Dirken_AU
dc.contributor.authorD'Cruz, Glennen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9694
dc.description.abstractThis dialogue is the text-based component of an evolving performative multi-media lecture. By re-reading Guy Debord's The Society of the Spectacle, in relation to the global Occupy movement and the rise of social media, we ask: in what ways does the proliferation of digital imagery enable and limit this recent form of political activism? By subjectively responding to selective quotations from Debord's writing, we link the triumvirate of global capitalism, public space and digital technology, producing commentary on the displacement imposed by contemporary 'spectacular' technologies, the networked 'technical image' and the politics of public space.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectSituationismen_AU
dc.subjectResistanceen_AU
dc.subjectOccupyen_AU
dc.subjectSuper 8en_AU
dc.subjectŽižeken_AU
dc.subjectDigital Mediaen_AU
dc.titleOccupy this: a dialogic dérive.en_AU
dc.typeConference paperen_AU


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