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dc.contributor.authorDe Bruyn, Dirken
dc.contributor.authorD'Cruz, Glennen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9694
dc.description.abstractThis dialogue is the text-based component of an evolving performative multi-media lecture. By re-reading Guy Debord's The Society of the Spectacle, in relation to the global Occupy movement and the rise of social media, we ask: in what ways does the proliferation of digital imagery enable and limit this recent form of political activism? By subjectively responding to selective quotations from Debord's writing, we link the triumvirate of global capitalism, public space and digital technology, producing commentary on the displacement imposed by contemporary 'spectacular' technologies, the networked 'technical image' and the politics of public space.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectSituationismen
dc.subjectResistanceen
dc.subjectOccupyen
dc.subjectSuper 8en
dc.subjectŽižeken
dc.subjectDigital Mediaen
dc.titleOccupy this: a dialogic dérive.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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