Code switching in mixed realities.

Access status:

Open Access

Field	Value	Language
dc.contributor.author	Innocent, Troy	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9692
dc.description.abstract	The codes used in augmented reality (AR) systems may act as signifiers of an alternative reality in themselves, prior to any technological reading. Mixed realities in urban settings are complex media ecologies that are often traversed in a transmedial manner by players and participants. Making AR markers a significant part of the urban landscape, by aestheticising them, results in an intervention into public space that signifies the presence of an alter-native world situated within the real. Recent projects such as Urban Codemakers and noemaflux explore connections between formal abstraction, street art, pervasive gaming and virtual art, creating mixed realities with hybrid aesthetics, and multiple layers of meaning.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Mixed Realities	en
dc.subject	Code Switching	en
dc.subject	Media Arts	en
dc.subject	Pervasive Gaming	en
dc.subject	Colonisation	en
dc.subject	Ludea	en
dc.title	Code switching in mixed realities.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences