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dc.contributor.authorInnocent, Troyen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9692
dc.description.abstractThe codes used in augmented reality (AR) systems may act as signifiers of an alternative reality in themselves, prior to any technological reading. Mixed realities in urban settings are complex media ecologies that are often traversed in a transmedial manner by players and participants. Making AR markers a significant part of the urban landscape, by aestheticising them, results in an intervention into public space that signifies the presence of an alter-native world situated within the real. Recent projects such as Urban Codemakers and noemaflux explore connections between formal abstraction, street art, pervasive gaming and virtual art, creating mixed realities with hybrid aesthetics, and multiple layers of meaning.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectMixed Realitiesen_AU
dc.subjectCode Switchingen_AU
dc.subjectMedia Artsen_AU
dc.subjectPervasive Gamingen_AU
dc.subjectColonisationen_AU
dc.subjectLudeaen_AU
dc.titleCode switching in mixed realities.en_AU
dc.typeConference paperen_AU


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