From sound to waves to territories.

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Open Access

Field	Value	Language
dc.contributor.author	Brueggemeier, Jan Hendrik	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9681
dc.description.abstract	This paper explores the debate around environmental humanities through the lens of sound and recent examples of sound art. Taking the emergence of ecocriticism as a point of departure, it discusses sound as a conceptual interface in our technologically mediated relationship with the environment. The notion of "shared sonic spaces" is employed to address the shift that is occurring from a "poetic of authenticity" to a "poetic of responsibility" at the intersection of culture, technology and ecology.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Shared Sonic Space	en
dc.subject	Radio	en
dc.subject	Dolphins	en
dc.subject	Ecocriticism	en
dc.subject	Sound Art	en
dc.subject	Poetics	en
dc.subject	Ecology	en
dc.subject	Electronic Media	en
dc.title	From sound to waves to territories.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences