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dc.contributor.authorFrench, Michaelaen_AU
dc.contributor.authorGazzard, Alisonen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9680
dc.description.abstractRhythm is a fundamental part of the human experience of place. Traditional mapping, in its translation to the page, prioritises space over time, frequently removing the cyclical rhythms inherent in the experience of landscape in favour of a more linear approach. In the networked world we are constantly translating energies, marking places, and attempting to create interactions between body, space and time. By slowing down the inscription through real time events of environmental change, the experience of the viewer shifts, relating to the mapped space through a new lens. By exploring the layers of 'real-time' inherent within our daily lives we are able to re-frame the rhythms of the digital experience.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectMapen_AU
dc.subjectRhythmen_AU
dc.subjectSpaceen_AU
dc.subjectTimeen_AU
dc.subjectNetworken_AU
dc.subjectCycleen_AU
dc.subjectLighten_AU
dc.titleMaps of time: exploring the rhythms of a mediated world.en_AU
dc.typeConference paperen_AU


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