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dc.contributor.authorFrench, Michaelaen
dc.contributor.authorGazzard, Alisonen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9680
dc.description.abstractRhythm is a fundamental part of the human experience of place. Traditional mapping, in its translation to the page, prioritises space over time, frequently removing the cyclical rhythms inherent in the experience of landscape in favour of a more linear approach. In the networked world we are constantly translating energies, marking places, and attempting to create interactions between body, space and time. By slowing down the inscription through real time events of environmental change, the experience of the viewer shifts, relating to the mapped space through a new lens. By exploring the layers of 'real-time' inherent within our daily lives we are able to re-frame the rhythms of the digital experience.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectMapen
dc.subjectRhythmen
dc.subjectSpaceen
dc.subjectTimeen
dc.subjectNetworken
dc.subjectCycleen
dc.subjectLighten
dc.titleMaps of time: exploring the rhythms of a mediated world.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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