Cybernetic configurations: characteristics of interactivity in the digital arts.

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Open Access

Field	Value	Language
dc.contributor.author	Gifford, Toby	en
dc.contributor.author	Brown, Andrew R.	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9676
dc.description.abstract	Cybernetic theory and interactive media art share much in common, including an interest in human relationships with technology, and in what their interactions reveal about both human and technological agency. In this paper we identify four characteristics of cybernetic systems and discuss their relevance to interactive sound art. We hope to contribute to a critical lexicon around the cybernetic nature of interactive artworks more broadly, and to promote further engagement with the principles of cybernetics amongst electronic and digital arts practitioners and scholars.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Cybernetics	en
dc.subject	New Media	en
dc.subject	Interaction	en
dc.subject	Systems Theory	en
dc.subject	Agency	en
dc.title	Cybernetic configurations: characteristics of interactivity in the digital arts.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences