Plasticity: noise, correlation and interaction.

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Open Access

Field	Value	Language
dc.contributor.author	Matthias, John	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9671
dc.description.abstract	This paper introduces the interactive and performative installation artwork, Plasticity (Jane Grant, John Matthias, Nick Ryan and Kin) and its software engine the Neurogranular Sampler via a journey through the synchronized pendulum clocks of Christian Huygens, entrainment in dynamical systems, and correlations and noise within neuronal networks. I examine ways in which the public are 'playing with noise' in the artwork and suggest that the public engagement with the work is closely connected to the fact that the dynamics of the artificial neuronal network lie at the borders between synchrony and randomness.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Installation Art	en
dc.subject	Performativity	en
dc.subject	Neuronal Networks, Plasticity	en
dc.subject	The Fragmented Orchestra	en
dc.subject	Dynamical Systems	en
dc.subject	Noise	en
dc.subject	Synchronisation	en
dc.title	Plasticity: noise, correlation and interaction.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences