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dc.contributor.authorBallard, Susanen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9664
dc.description.abstractNam June Paik's playful, imperfect and often ambiguous use of cybernetics has left an important legacy for contemporary media art. Paik's works demonstrate that it is essential to temper aesthetics with ethics in order to question the utopian dreams of the very materials electronic artists work with. Paik's works also suggest a new way to think about the machine in art. This paper focuses on the impacts of communication and control in the machine (and subsequently the network) in Paik's Robot K-456 and suggests a reconceptualization of Paik's cybernetic machine as a machinic process enmeshed in communication systems.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectNam June Paiken
dc.subjectCyberneticsen
dc.subjectSystemsen
dc.subjectArten
dc.subjectMachineen
dc.subjectMachinic Assemblageen
dc.subjectDeleuze and Guattarien
dc.subjectNorbert Wieneren
dc.subjectJack Burnhamen
dc.titleNam June Paik, cybernetics and machines at play.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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