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dc.contributor.authorWaterson, Sarahen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9663
dc.description.abstractToday the affordances of contemporary data representations and presentations allow for the reading of complex relational works, which I am classifying as data ecologies. Data ecologies can be performed with and across spatio-temporal networks of relations, and can be understood as assemblages of the agentic quality of flow. Data ecologies connect with the rise of statistical thinking throughout the nineteenth century, and developments in technology into the twentieth and twenty-first centuries. In this paper data mapping and data mining strategies are explored to develop a concept of data ecologies in interactive, reactive and generative creative works.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectDataen_AU
dc.subjectData Visualisationen_AU
dc.subjectData Mappingen_AU
dc.subjectData Miningen_AU
dc.subjectInterspecies Communicationen_AU
dc.subjectPsychogeographyen_AU
dc.subjectLaikaen_AU
dc.titleData ecologies: Laika’s Dérive and datawork.en_AU
dc.typeConference paperen_AU


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