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dc.contributor.authorWaterson, Sarahen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9663
dc.description.abstractToday the affordances of contemporary data representations and presentations allow for the reading of complex relational works, which I am classifying as data ecologies. Data ecologies can be performed with and across spatio-temporal networks of relations, and can be understood as assemblages of the agentic quality of flow. Data ecologies connect with the rise of statistical thinking throughout the nineteenth century, and developments in technology into the twentieth and twenty-first centuries. In this paper data mapping and data mining strategies are explored to develop a concept of data ecologies in interactive, reactive and generative creative works.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectDataen
dc.subjectData Visualisationen
dc.subjectData Mappingen
dc.subjectData Miningen
dc.subjectInterspecies Communicationen
dc.subjectPsychogeographyen
dc.subjectLaikaen
dc.titleData ecologies: Laika’s Dérive and datawork.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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