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dc.contributor.authorBarikin, Ameliaen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9661
dc.description.abstractWhy do some artists make worlds while others make works? This article considers the renewed attention to world-making as a key trope in contemporary artistic practice in relation to the world-making tactics of science fiction. Nelson Goodman's 1978 book Ways of Worldmaking provides the entry point for this enquiry.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectContemporary Arten_AU
dc.subjectScience Fictionen_AU
dc.subjectWorld Makingen_AU
dc.subjectNelson Goodmanen_AU
dc.subjectMondialisationen_AU
dc.titleMaking worlds in art and science fiction.en_AU
dc.typeConference paperen_AU


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