Making worlds in art and science fiction.

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Open Access

Field	Value	Language
dc.contributor.author	Barikin, Amelia	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9661
dc.description.abstract	Why do some artists make worlds while others make works? This article considers the renewed attention to world-making as a key trope in contemporary artistic practice in relation to the world-making tactics of science fiction. Nelson Goodman's 1978 book Ways of Worldmaking provides the entry point for this enquiry.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Contemporary Art	en
dc.subject	Science Fiction	en
dc.subject	World Making	en
dc.subject	Nelson Goodman	en
dc.subject	Mondialisation	en
dc.title	Making worlds in art and science fiction.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences