Making worlds in art and science fiction.
Field | Value | Language |
dc.contributor.author | Barikin, Amelia | en_AU |
dc.date.accessioned | 2013-11-22 | |
dc.date.available | 2013-11-22 | |
dc.date.issued | 2013-01-01 | en_AU |
dc.identifier.citation | Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. | en_AU |
dc.identifier.uri | http://hdl.handle.net/2123/9661 | |
dc.description.abstract | Why do some artists make worlds while others make works? This article considers the renewed attention to world-making as a key trope in contemporary artistic practice in relation to the world-making tactics of science fiction. Nelson Goodman's 1978 book Ways of Worldmaking provides the entry point for this enquiry. | en_AU |
dc.publisher | ISEA International | en_AU |
dc.publisher | Australian Network for Art & Technology | en_AU |
dc.publisher | University of Sydney | en_AU |
dc.subject | Contemporary Art | en_AU |
dc.subject | Science Fiction | en_AU |
dc.subject | World Making | en_AU |
dc.subject | Nelson Goodman | en_AU |
dc.subject | Mondialisation | en_AU |
dc.title | Making worlds in art and science fiction. | en_AU |
dc.type | Conference paper | en_AU |
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