Large screens and the transnational public sphere.
| Field | Value | Language |
| dc.contributor.author | Papastergiadis, Nikos | en_AU |
| dc.contributor.author | McQuire, Scott | en_AU |
| dc.contributor.author | Cmielewski, Cecelia | en_AU |
| dc.contributor.author | Barikin, Amelia | en_AU |
| dc.contributor.author | Yue, Audrey | en_AU |
| dc.contributor.author | Gibson, Ross | en_AU |
| dc.contributor.author | Cmielewski, Leon | en_AU |
| dc.contributor.author | Jones, Matt | en_AU |
| dc.contributor.author | Gu, Xin | en_AU |
| dc.date.accessioned | 2013-11-22 | |
| dc.date.available | 2013-11-22 | |
| dc.date.issued | 2013-01-01 | en_AU |
| dc.identifier.citation | Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. | en_AU |
| dc.identifier.uri | http://hdl.handle.net/2123/9656 | |
| dc.description.abstract | This paper is based on an ARC Linkage grant on the use of large screens as communication platform for an experimental transnational public sphere. The project involves linking large screens in Melbourne and Seoul for three 'urban media events'- 'SMS_Origin' and '<Value>'; 'Hello' and 'Dance Battle'. We argue through these experiments that large screens situated in public space in metropolitan centres offer strategic leverage for understanding the potential for networked media to form public sphere. | en_AU |
| dc.publisher | ISEA International | en_AU |
| dc.publisher | Australian Network for Art & Technology | en_AU |
| dc.publisher | University of Sydney | en_AU |
| dc.subject | Large Screens | en_AU |
| dc.subject | Transnational Communication | en_AU |
| dc.subject | Cultural Public Sphere | en_AU |
| dc.subject | Media Space | en_AU |
| dc.subject | Public Space | en_AU |
| dc.subject | Federation Square | en_AU |
| dc.title | Large screens and the transnational public sphere. | en_AU |
| dc.type | Conference paper | en_AU |
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