Evaluation in public art: the Light Logic exhibition.
| Field | Value | Language |
| dc.contributor.author | Candy, Linda | en |
| dc.contributor.author | Edmonds, Ernest | en |
| dc.contributor.author | Alarcón, Ximena | en |
| dc.contributor.author | Smith, Sophy | en |
| dc.date.accessioned | 2013-11-22 | |
| dc.date.available | 2013-11-22 | |
| dc.date.issued | 2013-01-01 | en |
| dc.identifier.citation | Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. | en |
| dc.identifier.uri | http://hdl.handle.net/2123/9653 | |
| dc.description.abstract | This paper discusses evaluation in the context of public art and specifically of interactive digital art. The study reported is of 'Light Logic', an exhibition of retrospective and current drawings, paintings and interactive digital works by the second author. The study was conducted by Site Gallery Sheffield in association with UK and Australian researchers. A survey of evaluation practice amongst artists and groups working in digital art is described briefly. | en |
| dc.publisher | ISEA International | en |
| dc.publisher | Australian Network for Art & Technology | en |
| dc.publisher | University of Sydney | en |
| dc.subject | Digital Art | en |
| dc.subject | Interactive Art | en |
| dc.subject | Participation | en |
| dc.subject | Evaluation | en |
| dc.title | Evaluation in public art: the Light Logic exhibition. | en |
| dc.type | Conference paper | en |
| usyd.faculty | University hosted conferences |
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