Gesture, sound and place.

Alsop, Roger; Pedersen, Mark

Access status:

Open Access

Field	Value	Language
dc.contributor.author	Alsop, Roger	en
dc.contributor.author	Pedersen, Mark	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9650
dc.description.abstract	This paper discusses two multichannel interactive audiovisual artworks, Action A/V and SoundLabyrinth, that explore approaches to the experience of gesture, sound and place. Both works were situated in a geodesic dome frame and built within the Max, Ableton and Max for Live computer programs, and produced ostensibly similar outcomes, however the approaches taken by the two authors differ in intention, processes, and philosophy. These approaches were presented and discussed in workshops delivered at ISEA2013, on Sunday June 9 and Monday June 10 2013. In these workshops participants mprovised with the two systems, both through moving in the dome and by operating the related software, and discussed approaches and understandings of the three terms listed in the title of this paper.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Sound	en
dc.subject	Space	en
dc.subject	Place	en
dc.subject	Interaction	en
dc.subject	Gesture	en
dc.subject	Interactive Art	en
dc.subject	Workshop	en
dc.title	Gesture, sound and place.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences