Forget the flâneur
Field | Value | Language |
dc.contributor.author | McGarrigle, Conor | en_AU |
dc.date.accessioned | 2013-11-22 | |
dc.date.available | 2013-11-22 | |
dc.date.issued | 2013-01-01 | en_AU |
dc.identifier.citation | Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. | en_AU |
dc.identifier.uri | http://hdl.handle.net/2123/9647 | |
dc.description.abstract | This paper discusses the connections between the ‘flâneur’, Baudelaire's symbol of modernity, the anonymous man on the streets of nineteenth century Paris, and his contemporary digital incarnation, the ‘cyberflâneur’. It is argued that, although the fl neur could be successfully re-imagined as the cyberfl neur in the early days of the web, this nineteenth century model of male privilege no longer fits the purpose. It is suggested that it is time to forget the flâneur and search for a new model to consider the peripatetic nature of location-aware networked devices in the digitally augmented city. | en_AU |
dc.publisher | ISEA International | en_AU |
dc.publisher | Australian Network for Art & Technology | en_AU |
dc.publisher | University of Sydney | en_AU |
dc.subject | Flâneur | en_AU |
dc.subject | Psychogeography | en_AU |
dc.subject | Paris | en_AU |
dc.subject | Situationist | en_AU |
dc.subject | Locative Media | en_AU |
dc.title | Forget the flâneur | en_AU |
dc.type | Conference paper | en_AU |
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