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dc.contributor.authorMcGarrigle, Conoren
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9647
dc.description.abstractThis paper discusses the connections between the ‘flâneur’, Baudelaire's symbol of modernity, the anonymous man on the streets of nineteenth century Paris, and his contemporary digital incarnation, the ‘cyberflâneur’. It is argued that, although the fl neur could be successfully re-imagined as the cyberfl neur in the early days of the web, this nineteenth century model of male privilege no longer fits the purpose. It is suggested that it is time to forget the flâneur and search for a new model to consider the peripatetic nature of location-aware networked devices in the digitally augmented city.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectFlâneuren
dc.subjectPsychogeographyen
dc.subjectParisen
dc.subjectSituationisten
dc.subjectLocative Mediaen
dc.titleForget the flâneuren
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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