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dc.contributor.authorHemment, Drewen_AU
dc.date.accessioned2013-11-22T05:45:19Z
dc.date.available2013-11-22T05:45:19Z
dc.date.issued2013en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9644
dc.description.abstractIn recent years we have moved from data scarcity to data abundance. As a response, a variety of methods have been adopted in art, design, business, science and government to understand and communicate meaning in data through visual form. emoto (emoto2012.org) is one such project, it visualised the online audience response to a major global event, the London 2012 Olympic and Paralympic Games. emoto set out to both give expression to and augment online social phenomena, that are emergent and only recently made possible by access to huge real-time data streams. This report charts the development and release of the project, and positions it in relation to current debates on data and visualisation, for example, around the bias and accessibility of the data, and how knowledge practices are changing in an era of so-called 'big data.'en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectDataen_AU
dc.subjectSocial Dataen_AU
dc.subjectData Visualisationen_AU
dc.subjectData Arten_AU
dc.subjectLondon 2012en_AU
dc.subjectOlympicsen_AU
dc.subjectTwitteren_AU
dc.titleEmoto - visualising the online response to London 2012.en_AU
dc.typeConference Paperen_AU


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