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dc.contributor.authorHudson, Kirstenen
dc.contributor.authorBen-Ary, Guyen
dc.contributor.authorLawson, Marken
dc.contributor.authorHodgetts, Stuarten
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9642
dc.description.abstractThis paper reflectively explores how the collaborative team behind in potēntia critically and creatively embraces the methodological dialectics that occur when trying to accommodate the different disciplinary approaches of art, cultural theory, science and design. Hosted by SymbioticA - The Centre of Excellence in the Biological Arts, The University of Western Australia, in potēntia is an example of multi-disciplinary collaborative art/science practice pioneered by SymbioticA. Negotiating aesthetics versus accuracy, risk versus rigor, experimentation versus speculation, and problematising versus problem solving, this paper reflexively discusses how cross-disciplinary collaboration, although fraught with friction also presents new and unique opportunities - professionally and personally - for unexpected creative discoveries to emerge.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectCollaborationen
dc.subjectMulti-Disciplinaryen
dc.subjectBio-Arten
dc.subjectLifeen
dc.subjectDeathen
dc.subjectPersonhooden
dc.titleThe dynamics of collaborative resistance: negotiating the methodological incongruities of art, cultural theory, science and design.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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