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dc.contributor.authorHudson, Kirstenen_AU
dc.contributor.authorBen-Ary, Guyen_AU
dc.contributor.authorLawson, Marken_AU
dc.contributor.authorHodgetts, Stuarten_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9642
dc.description.abstractThis paper reflectively explores how the collaborative team behind in potēntia critically and creatively embraces the methodological dialectics that occur when trying to accommodate the different disciplinary approaches of art, cultural theory, science and design. Hosted by SymbioticA - The Centre of Excellence in the Biological Arts, The University of Western Australia, in potēntia is an example of multi-disciplinary collaborative art/science practice pioneered by SymbioticA. Negotiating aesthetics versus accuracy, risk versus rigor, experimentation versus speculation, and problematising versus problem solving, this paper reflexively discusses how cross-disciplinary collaboration, although fraught with friction also presents new and unique opportunities - professionally and personally - for unexpected creative discoveries to emerge.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectCollaborationen_AU
dc.subjectMulti-Disciplinaryen_AU
dc.subjectBio-Arten_AU
dc.subjectLifeen_AU
dc.subjectDeathen_AU
dc.subjectPersonhooden_AU
dc.titleThe dynamics of collaborative resistance: negotiating the methodological incongruities of art, cultural theory, science and design.en_AU
dc.typeConference paperen_AU


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