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dc.contributor.authorMcCormick, Johnen
dc.contributor.authorVincs, Kimen
dc.contributor.authorNahavandi, Saeiden
dc.contributor.authorCreighton, Douglasen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9638
dc.description.abstractArtificial neural networks are an effective means of allowing software agents to learn about and filter aspects of their domain. In this paper we explore the use of artificial neural networks in the context of dance performance. The software agent's neural network is presented with movement in the form of motion capture streams, both pre-recorded and live. Learning can be viewed as analogous to rehearsal, recognition and response to performance. The interrelationship between the software agent and dancer throughout the process is considered as a potential means of allowing the agent to function beyond its limited self-contained capability.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectSoftware Agenten
dc.subjectArtificial Neural Networken
dc.subjectDance and Technologyen
dc.subjectDistributed Cognitionen
dc.subjectMachine Learningen
dc.subjectInteractive Performanceen
dc.titleLearning to dance with a human.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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