Environmental data as sensory experience.

Access status:

Open Access

Field	Value	Language
dc.contributor.author	Brain, Tega	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9637
dc.description.abstract	Information visualisations within the field of environmental art are often imbued with an agenda for catalysing changes in behavior. They are political images that rhetorically ask how we might act differently in our relationship to what is being measured. This paper explores the complexity of information visualisations by discussing the radically different informatic strategies deployed in the installation artwork, What the Frog's Nose tells the Frog's Brain. Exhibited at ISEA2013, the work uses smell as a medium for producing information. The politics of smell remain relatively open, making it a rhetorical device rich with possibilities for exploring alternative modes of information production.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Information	en
dc.subject	Visualisation	en
dc.subject	Data	en
dc.subject	Electricity	en
dc.subject	Olfactory	en
dc.subject	Perception	en
dc.subject	Infrastructure	en
dc.subject	Smell	en
dc.title	Environmental data as sensory experience.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences