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dc.contributor.authorEjsing-Duun, Stineen
dc.contributor.authorAllen, Jamieen
dc.contributor.authorSøndergaard, Mortenen
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en
dc.identifier.urihttp://hdl.handle.net/2123/9630
dc.description.abstractAs practice-theory orientations the arts and sciences have often seemed juxtaposed. We are interested in how a new generation of artist-scientists think, operate and communicate. We argue that it is crucial to find new forms and formats for engagement and communication in communities of inter-disciplinary research and practice. In this paper, we investigate the discursive and communicative relation between different disciplines, in social and experiential events (conferences, festivals, and the like). For this purpose, we will build upon the experiences and observations from various "Re-mix" situations in which art-scientists meet in conference and festival settings.en
dc.publisherISEA Internationalen
dc.publisherAustralian Network for Art & Technologyen
dc.publisherUniversity of Sydneyen
dc.subjectTechnologyen
dc.subjectCollaborativeen
dc.subjectPracticeen
dc.subjectActionen
dc.subjectSituationsen
dc.subjectCommunicationen
dc.subjectTheoryen
dc.subjectArten
dc.subjectKnowledge Sharingen
dc.titleReconsidering experiential knowledge in the relation of art and science practices.en
dc.typeConference paperen
usyd.facultyUniversity hosted conferences


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