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dc.contributor.authorEjsing-Duun, Stineen_AU
dc.contributor.authorAllen, Jamieen_AU
dc.contributor.authorSøndergaard, Mortenen_AU
dc.date.accessioned2013-11-22
dc.date.available2013-11-22
dc.date.issued2013-01-01en_AU
dc.identifier.citationCleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.en_AU
dc.identifier.urihttp://hdl.handle.net/2123/9630
dc.description.abstractAs practice-theory orientations the arts and sciences have often seemed juxtaposed. We are interested in how a new generation of artist-scientists think, operate and communicate. We argue that it is crucial to find new forms and formats for engagement and communication in communities of inter-disciplinary research and practice. In this paper, we investigate the discursive and communicative relation between different disciplines, in social and experiential events (conferences, festivals, and the like). For this purpose, we will build upon the experiences and observations from various "Re-mix" situations in which art-scientists meet in conference and festival settings.en_AU
dc.publisherISEA Internationalen_AU
dc.publisherAustralian Network for Art & Technologyen_AU
dc.publisherUniversity of Sydneyen_AU
dc.subjectTechnologyen_AU
dc.subjectCollaborativeen_AU
dc.subjectPracticeen_AU
dc.subjectActionen_AU
dc.subjectSituationsen_AU
dc.subjectCommunicationen_AU
dc.subjectTheoryen_AU
dc.subjectArten_AU
dc.subjectKnowledge Sharingen_AU
dc.titleReconsidering experiential knowledge in the relation of art and science practices.en_AU
dc.typeConference paperen_AU


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