Speculative objects: materialising science fiction.
Field | Value | Language |
dc.contributor.author | Muller, Lizzie | en_AU |
dc.date.accessioned | 2013-11-22 | |
dc.date.available | 2013-11-22 | |
dc.date.issued | 2013-01-01 | en_AU |
dc.identifier.citation | Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. | en_AU |
dc.identifier.uri | http://hdl.handle.net/2123/9628 | |
dc.description.abstract | In this essay I propose the idea of the 'speculative object' as a way of understanding how some artworks and artefacts function in human experience as philosophical tools. I explore the way in which objects materialize science fictional structures, in particular the way they provoke and support speculative thought. | en_AU |
dc.publisher | ISEA International | en_AU |
dc.publisher | Australian Network for Art & Technology | en_AU |
dc.publisher | University of Sydney | en_AU |
dc.subject | Speculative Objects | en_AU |
dc.subject | Science Fiction | en_AU |
dc.subject | Curatorial Practice Based Research | en_AU |
dc.subject | Awfully Wonderful: Science Fiction in Contemporary Art | en_AU |
dc.subject | Performance Space | en_AU |
dc.title | Speculative objects: materialising science fiction. | en_AU |
dc.type | Conference paper | en_AU |
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