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dc.contributor.authorJamroonjamroenpit, Ploy
dc.date.accessioned2011-12-09
dc.date.available2011-12-09
dc.date.issued2011-01-01
dc.identifier.urihttp://hdl.handle.net/2123/7981
dc.description.abstractThe different and changing meanings of the ruined form in the European consciousness point to its position as a discursive space, expressed in ideas of a ‘ruin motif’. However, most historical investigations into ruins have been concerned with classical structures in the European context. This thesis examines the operations of the ruin motif in the setting of nineteenth century-century colonial India through a study of John Benjamin Seely’s travel text The Wonders of Elora (1824) and James Fergusson’s The History of Architecture in All Countries (1874). It argues that the ruin motif was an important means by which the aims, difficulties and tensions in colonial discourses were articulated.en
dc.language.isoen_AUen
dc.rightsOtheren
dc.subjectBritish Empireen
dc.subjectruinsen
dc.subjecttravel literatureen
dc.subjectcultural historyen
dc.subjectIndiaen
dc.subjectaestheticsen
dc.titleTHE RUINS OF EMPIRE: British Responses to Ruins in Colonial Indiaen
dc.typeThesisen
dc.type.thesisHonoursen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.facultyFaculty of Arts and Social Sciences, School of Humanities
usyd.departmentDepartment of Historyen


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